I once told a fellow author I was going to take flying lessons as research for a book (that was never written, as it happens, because my agent didn’t find the idea glamorous enough). The fellow author’s response: “Just when we thought it was safe to go back in the air.”
I should probably point out that this comment was made in the early ’90s, when air travel was still fun.
Anyway, I’m not flying now. Not even as a passenger. By “landing,” I
was referring to Creativia’s landing pages for my books. So far, only
two are up and running. I’m guessing they’re doing this in alphabetical
order, as the first one up was Alexander’s Empire and now we have Angels at Midnight. To check them out, just click on the links. And while you’re at it, check out my author page at their site. (They haven’t yet added my latest release, Ms. Maxwell and Son, to my bibliography.)
When I decided to reissue my backlist books, I had a choice to make. These books, with the exception of Chasing the Wind and Final Hours,
had all been written and published in the late 1980s-early 1990s. That
was a time when the most popular fiction was either historical romance
(not my cup of tea) or glamorous, suspenseful contemporary romance.
Today, the market is decidedly different. On one hand, I really wanted
the old books to be available on a permanent basis, even if they didn’t
gain many new readers. Om the other, I felt an urge to rewrite all of
the old stuff, not just to make it more relevant to today’s readers, but
in the case of Alexander’s Empire to satisfy my need to finally publish the story I’d wanted to write from the start.
If I were writing them today? Alexander’s Empire would still
involve wealth and power–to a degree. But it would be, at its heart,
the story of a man who discovers he’s not who he’s always believed
himself to be, that his present life was created out of a tragedy that
destroyed several lives. It would focus on his inability to trust, to
love, and his search for answers.
As for Angels at Midnight, again, there would be less
glamour and more of a modern “MacGuyver meets Robin Hood” story. Ashley
might still be a celebrated artist, but Collin wouldn’t be an oilman’s
heir. He’d be someone who was one of many cheated by a ruthless
employer. He’d be more high tech than he was back in the ’80s. And there
would be more fencing. Those were my favorite parts of the original.
That’s what might have been….